Out from Under the Boardwalk
If you said that you could hear my voice
speaking through the seagulls at the beach,
I would believe you.
I’d tell you that if you stand
in the right place
at a specific time,
Like say,
When the crows fly home,
You could forever embrace the talk
of my lickety-split contractual obligations.
Held within the web of forecasted spool,
I’d get to know you.
Maybe even set aside a time
to have you feed me
morseled up bread and french fries.
I’d shed a feather
and grip hard to the tuned tension
of a string connecting my sound to you.
A boob shot through a tube,
Similar to the circus,
I am flying through the sky,
A precise canon, I mind. •
•
If your scripted lines spoke
for your mouth,
Saying, “Your flight is scene.”
I may blush in utter disregard,
A copped memory capping the hatter;
I’d probably trust you with all my heart. •
•
But say I were to read the stage directions,
The preamble,
The prologue,
Only to find delusion has a jettied
spot on the rail of non-fiction;
I’d tell you to read my memoir,
So I move a step to my right,
editing light grammar in proximal time.
It’s a tale of hawked spurs
into the belly of dragged-on contentions.
It is a tale of coming to terms with the simple fact
That you heard my voice,
My echoes,
My cries from the dove
flying above the boardwalk
and you just kept smiling,
nodding off,
yet I speak of wake.
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